Oh My!

I've been following Sue Spargo who does incredible contemporary folk art pieces, primarily with wool and an amazing array of creative embroidery stitches and bright colours, so I was more than excited to see that she recently did a workshop in Ontario at what looked like an amazing little shop. These are a few images from her recent post - Jane & Linda, I can't help but think of you when I see her work.

She lives in Ohio so her post was a little vague as to the shop's location, describing it only as being in Ontario. Needless to say, I had to do a bit more digging; I am SO glad that I did.

Photo from Stitch, by Nella

The workshop was held in Jordan at Stitch, right in the heart of wine country, and is a little piece of heaven. Operated by Jocelyn Chamberlain, it is self-described as a sanctuary for knitters, quilters and needleworkers and looks like someplace that you'd just love to spend days and days. Their website is fairly basic but I found Nella's Acorn Lane Vintage Living blog that has lots of really fantastic images of it. Take a look and tell me that your heart doesn't go pit-a-pat. I haven't picked up a pair of knitting needles in a few years but its hard to resist when you see this shop (Dawn, this might be a new addiction for you). Sue is planning to return next fall for another workshop and me thinks this might need to be added to my calendar.

Giving Thanks

Frothy

A belated happy Thanksgiving to our American friends who are celebrating the holiday this weekend. Even though our Thanksgiving was a month ago all the hype got me to thinking about everything that I am thankful for, and that very long list includes this quilt that I finally finished this summer. It has proven to be a favourite and is now happily in use on our bed.

We have had a glorious autumn here so recently I decided it was the perfect weather for airing out the quilts and when I saw this one on the line it reminded me of just how much I like it. The pattern is Frothy by Kaffe Fassett from his book Glorious Patchwork. I started it probably 10 years ago and I remember having a hard time finding a good selection of large blue, pink and cream florals, but find them I did. This one is particularly special because was the last quilt that mom quilted for me before she passed away; all that was left to do was bind it. For whatever reason it spent the next 4 years folded (and buried) on a chair in my sewing room, patiently waiting to be finished. Really, all it needed was binding but that seemed to be a huge challenge for some reason. This summer I decided it was time to finish it off and start using it.

I had a pretty little yellow Moda print that I had wanted to bind it with but for whatever reason I was convinced that I didn't have enough to do the job (why I didn't measure is beyond me!). So I spent some time hunting for alternatives and finally found two options, but when it came time to cut the binding I just wasn't convinced, so I went back to my original option and decided to measure it. Miracle of miracles, there was more than enough so I quickly cut it before I wasted any more time.

I love everything about this quilt. The fabrics, the colours, the tiny strawberry flannel print that I used for the backing, the random swirl pattern designed by my sister D, the lasting memory of mom's handwork, and most definitely the binding. Why do we wait so long sometimes to do the simplest things that can ultimately give us so much pleasure?
...M

More Treasure

Yesterday's blog prompted my friend K from Peterborough to send through pics that she has of two antique quilts that she treasures, both beautiful but very different in style and function.

The first is a Depression era crazy patch made of woolens/suiting and is a study in functionality. It is sewn on a vertical grid and the occasional bursts of colour and lighter fabric suggest the frugality of its maker, incorporating whatever was at hand. It had the potential to be very dark but the soft grid of red yarn ties and delicate crosshatched embroidery soften it nicely.

If you look closely tiny, quirky vignettes are revealed. This looks like a 'patch on a patch' but instead of attempting to blend the patch into the overall piece it's highlighted by being applied in an obvious yarn and stitch...

and here too...

In keeping with it's practical side it is stuffed with a wool blanket - like a ration or army blanket - and the backing is quite coarse and functional, likely to support the weight and texture of the top.

Her second treasure is much softer, more delicate and was probably considered a dressier quilt. It's called Around the World and was likely made in the 50s. The palette is light and airy and it was made with specific fabrics in mind rather than incorporating remnants.

Take a look at the light fabrics used on the centre square and three most central rounds. Doesn't it look like they are different versions of the same print?

Thanks for sharing K. Lucky girl!

...M

Timeless

About a week ago five of us piled into the car and headed to an antique quilt show in nearby Arnprior. We weren't quite sure what to expect but were far from disappointed. More than 100 quilts were displayed throughout their museum, most from the early 1800s, with an impressive range in style and fabrics. You can see the age of the fabric in the upper left of this one starting to dissolve but the beautiful embroidery and quilting shine through after all these years.

Flying Geese

A lovely green Flying Geese welcomed us just inside the door...

Basket

And I totally fell for this basket pattern - I think it might have to go onto a TO DO list. Those blocks are about six inches square; it was just stunning. I can't imagine how long it took to quilt this one!

Grandmother's Garden

Maybe it's because our dad was a carpenter, but we couldn't help but admire the brilliant simplicity of these quilt frames. The Grandmother's Garden quilt that was on the frames was lovely too - it looked like it might have been a crib quilt. What a lovely scalloped edge.

Grandmother's Garden

And more hexagons, this time in rich velvets.

Log Cabin

And a great Log Cabin made from rich woolens - tied instead of stitched.










This pretty Fan pattern done in a lovely sherbet palette.











This little one was really interesting. Each square was stuffed and then sewn together like a series of Chicklets. Lovely velvets and satins.

And last, but not least, this beauty. This is only a very small section from a full sized quilt, with the leaves about 2.5 inches long. The vine is embroidered with a chain stitch instead of using bias fabric strips, which, when combined with the soft grey/lavender background, gave it a real air of sophistication. But look at the range of fabrics in the leaves - almost contemporary. Which only goes to prove that everything old is new again.


Many thanks to my sister B for taking these shots.

On the trip home we stopped in the tiny hamlet of Burnstown for a fabulous lunch at The Blackbird Café and then discovered a great bakery in Renfrew where we picked up dessert(s) for dinner. What's not to love?
...M